Handmade Stoneware Mug - Copper Brush

Copper Brush • Mug

£26.00

★★★★★ Rated 4.8 on Google · Read reviews

The morning that needs no explanation. Wide sweeps of copper across cream stoneware, painted in a single motion. Bold without trying. Warm in the hand before the coffee even hits.

Hand-thrown and hand-painted in Spain. Dishwasher and microwave safe · 11cm height · 8cm diameter · No two are identical.

11 cm height · 8 cm diameter · 0.60 kg
Handmade in Spain
Dishwasher, oven and microwave safe
Built for daily use. No special treatment needed.

DELIVERY
All orders dispatched within 5 working days

United Kingdom
• Costs: 1 mug/bowl/mini vase £4.50 · Set of 2 £6.00
• Free UK delivery on orders over £150.00

Europe
• Costs: 1 mug/bowl/mini vase £8.50 · Set of 2 £12.00

USA & Canada
• Costs: 1 mug/bowl/mini vase £18.00 · Set of 2 £30.00

RETURNS
• You have 30 days from delivery to return anything, for any reason. Email team@cardoonstudio.com with your order number and we'll take it from there.
• If something arrived faulty or not as described, we'll refund your delivery charge too.

REFUNDS
• Processed within 10 days of receiving your return, back to your original payment method.

I tend to reach for this one on the mornings that need a slower start. It works just as well on a kitchen counter as it does on a tray in bed, with whatever is already there. Over time you stop noticing it as a choice. It just becomes the mug.

The copper and burgundy in this mug come from the same earth the makers work with every day. Valencia sits on some of the most mineral-rich land in the Mediterranean — red clay, iron, the kind of ground that has been staining hands and firing kilns for centuries. The colours aren't chosen. They're found.

The workshops behind this collection are part of a ceramic tradition that has been running in this part of the world for over a thousand years, carried by artisans who brought their knowledge from Persia, through North Africa, across the Mediterranean. Valencia's lustreware once decorated the palaces of the Medicis and the floors of the Pope. What's remarkable is that it never left. Not as museum craft, not as heritage tourism, just as a living practice, still running in the hands of independent makers who chose to stay, to work slowly, to keep making things the way they know how.

The world moved fast. They kept this as a sign of who they are.

Red earth mixed with quartz and feldspar, fired until it holds heat, resists water, lasts. High-fired twice, dense enough to start the morning with and look better for it over time.

Each mug is hand-thrown and hand-painted, so the variations you see, where the copper pooled, where the brush lifted, are the record of how it was made. Not inconsistency. The maker's hand, still visible.

The marks are painted beneath the glaze, not over it. It becomes part of the clay itself. It will not fade.

This is what Glenn Adamson, in Fewer Better Things*, calls 'material intelligence'; a knowledge that lives not just in the hands, but in an understanding of how clay moves, resists, and transforms; how it holds heat, absorbs light, and feels right in the hand.