Name: Spout • Hanger
Brand: My Store
SKU: CSALBT2502GEA
Price: 50.00 GBP
Availability: InStock

Spout • Hanger

£50.00

Spout • Hanger

£50.00

★★★★★ Rated 4.8 on Google · Read reviews

Handmade by independent makers

• Quantity to Order

Hand-thrown in Spain by skilled craftsmen
Ideal for hanging coats and jackets
Hand-painted in white. 100% porcelain
Size: 10 cm height x 6 cm diametre
One of a kind — no two are alike
Made to order, ships in 2 weeks

16 cm height x 10 cm diameter
0.60 kg
Handmade in Spain
Wipe gently with a soft, dry cloth

DELIVERY
All orders dispatched within 5 working days

United Kingdom
• Costs: 1 Vase or Decorative Plate £18.00
• Free UK delivery on orders over £150.00

Europe
• Costs: Costs: 1 Vase or Decorative Plate £25.00

USA & Canada
• Costs: Costs: 1 Vase or Decorative Plate £60.00

RETURNS
• You have 30 days from delivery to return anything, for any reason. Email team@cardoonstudio.com with your order number and we'll take it from there.
• If something arrived faulty or not as described, we'll refund your delivery charge too.

REFUNDS
• Processed within 10 days of receiving your return, back to your original payment method.

I tend to use these in quieter parts of the home – an entryway, a bedroom, sometimes a bathroom. They're practical, but they don't read as hardware. More like small objects that happen to hold things. A coat, a linen shirt, a towel. The white porcelain catches the light softly, and over time they become part of the wall rather than something added onto it.

These are made in Valencia (Spain), a region where ceramics have been part of daily life for centuries. The material is porcelain — fired at high temperatures to achieve a finer, lighter body with a smooth, refined surface. It allows for greater precision in form and detail, while holding glaze with clarity and depth. Each piece is painted by hand, then fired in the kiln, where heat and time introduce subtle variation. That’s why no two are ever the same.

Pure porcelain, fired twice. The first firing sets the form. The second happens in a traditional reduction kiln. Handmade, without the use of molds.

This is what Glenn Adamson, in Fewer Better Things*, calls 'material intelligence'; a knowledge that lives not just in the hands, but in an understanding of how clay responds to heat, how fire behaves without oxygen, and how a surface that cannot be entirely controlled is precisely what makes it irreplaceable.