Name: Verse • Décor Plate
Brand: My Store
SKU: CSPLAM2501
Price: 175.00 GBP
Availability: InStock

Verse • Décor Plate

£175.00 £300.00

Verse • Décor Plate

£300.00 £175.00

Handmade by independent makers

• Available in stock

Handmade in Spain • Ø 37 cm × H 3 cm • Crafted from tin-glazed earthenware • Hand-painted with pure gold, silver, and copper minerals • For decorative use only.

• Quantity to Order

A decorative plate that celebrates the rhythm of the maker's hand. Bold cobalt brushstrokes and concentric circles create a balanced composition inspired by traditional ceramic painting, reimagined with a contemporary eye.

Display on a wall, style on a shelf, or let it stand alone as a statement piece.

Hand-thrown and hand-painted in Spain. Crafted from tin-glazed earthenware with a lustreware finish, using cobalt and silver minerals. 37cm diameter · 3cm height · Each piece is one of a kind, no two are identical.

37 cm diameter x 3 cm height
2.70 kg
Handmade in Spain
Wipe gently with a soft, dry cloth
Avoid abrasive cleaners or dishwasher use

DELIVERY
All orders dispatched within 5 working days

United Kingdom
• Costs: 1 Vase or Decorative Plate £18.00
• Free UK delivery on orders over £150.00

Europe
• Costs: Costs: 1 Vase or Decorative Plate £25.00

USA & Canada
• Costs: Costs: 1 Vase or Decorative Plate £60.00

RETURNS
• You have 30 days from delivery to return anything, for any reason. Email team@cardoonstudio.com with your order number and we'll take it from there.
• If something arrived faulty or not as described, we'll refund your delivery charge too.

REFUNDS
• Processed within 10 days of receiving your return, back to your original payment method.

Hang on a wall as art, or lean against a shelf to catch and reflect light.
Use as a base for candles, small stones, or natural objects in a meditative corner.
Pair with soft, neutral linens for a balanced, contemplative table setting.

This modern decorative plate is handmade in Spain, using a complex lustreware technique. The piece is fired in a traditional reduction kiln with rosemary leaves, resulting in a unique, iridescent surface that shifts with the light. Formed from local pink dusk clay of the Valencian region, each vessel carries the subtle warmth of its origin.

Pink clay from Valencia, fired twice. The first firing sets the form. The second happens in a traditional reduction kiln, starved of oxygen with rosemary leaves, forcing the metallic oxides in the glaze to bond directly to the surface. This is lustreware, a technique so particular to its conditions that no two firings ever produce exactly the same result.

The result shifts with the light. Not a coating. A transformation of the material itself.

This technique has been practised in this region for over a thousand years. Today only a handful of makers still know how to do it.

This is what Glenn Adamson, in Fewer Better Things*, calls 'material intelligence'; a knowledge that lives not just in the hands, but in an understanding of how clay responds to heat, how fire behaves without oxygen, and how a surface that cannot be entirely controlled is precisely what makes it irreplaceable.